Family

Climbing

(Taken with the 35mm f/1.4 Ai-S Nikkor)

Saw my old buddy Matt, caught up, watched him scramble around on an indoor rock-climbing course.

Lensbaby on the 5D

Canon 5D Reviewed by an Honest to Goodness Photojournalism Student

Gnarly ... describes both this trick and my assessment of the Canon 5D that is now in my possession.

I'm a huge fan of this camera body, to say the least. Now, I think you need to think about the gravity of that statement after I tell you that I despise the controls and menu system, or in other words, everything except the sensor and thus image quality. Well, that's not being entirely fair, but I'll voice my caveats later. I want to expound on this subject, though it fall under the hated "gear talk" category. I think it's important, because there are now several distinct options for an affordable full-frame camera. Let me go down the line.

1) Canon 1Ds - Affordable and tanklike, but possessing a far inferior sensor to the others in terms of resolution and high ISO performance. If you stick to 400 ISO and under, sure. But why are you reading my photojournalism blog?

2) Canon 1DsMkII - ~$4000 used, according to my morose and frequent craigslist sweeps, great pro build quality and controls (though they're a little obtuse and frustrating at times, for no good reason.)

3) Canon 1DsMkIII - Get the hell out of here, if you're reading this review, it's not because you're waffling on whether or not to get a 1DMkIII. They're for studio shooters who either want the versatility of a 35mm SLR, or don't want to spend $16,000 dollars or more on a digital medium format system.

4)Nikon D3 - At $5000, it's an attractive opportunity as the first Nikon full-frame, meaning you not only receive the great pro Nikon build, tanklike, as the various 1D's, but their (in my, and most every photographer and photojournalist I've met's opinion) controls and ergonomics are just worlds better. As they say, a Canon is the best camera built by engineers, and a Nikon is the best camera built by photographers. The F-mount is no small advantage either, as you can use millions of Nikon lenses produced over the past four decades in the F-mount. I just purchased a 1970s design Nikkor 35mm f/1.4 Ai-S that performs as well as ever on a full frame body. I view this lens as future proof because I can mount it on a Canon EOS body via adaptor and retain full metering, or I can mount it on a Nikon FX (their term for full-frame) camera like the D3 or the...

5) Nikon D700 - Take the D300, largely called the best dSLR ever made, with its form factor and controls, and put a D3 sensor in there. Call it $3000. Call it... the best camera ever designed for a photojournalist. The D3 may still hold that title to some, but anyone who has shot with a camera without an X-box huge vertical grip attached realizes the huge unadvertised advantage: you're not as imposing! Bear in mind, everything I'm saying about the D700's size is true of the 5D as well. As I was saying, a big-ass professional camera like that attracts notice in a way that smaller cameras just don't. Oftentimes, your subject's apprehension at being photographed is directly proportional to the size and general weirdness of your camera/lens assembly. While a medium format camera often perplexes, a large format camera incites curiosity and often reminiscing, a pro SLR intimidates or scares.

6) Canon 5D - I have this to say about the 5D. It's no Nikon D700. But it's also not $3000, and as a college student on a budget, the 5D is right at my alley. I got it for $1750 at keh.com.

That sounds like a real diss, right? Well, sort of, but not really. Because the 5D is still fundamentally a great camera, regardless of the insanity that is the D700. As any photographer knows, the camera doesn't really make the picture, the lens does. And a 5D enables me to buy a whole lot more glass than I could with that D700. I suspect this is a concern to you, dear reader: you want to make good photographs with a variety of focal lengths and various optical characters, not carry around a fabulous gee-whiz camera with a not-so-fabulous ho-hum kit lens and nothing else, due to tightness in the purse.

As well, the 5D really does operate just fine the way I use it. Note: I'm being a weird artsy photojournalist type and using old Nikkor primes, as my forefathers did when they shot sabertooth tigers and wooly mammoths back in the golden days. Instead of paying $1200 for a Canon 35mm f/1.4 L, I'm spending a third and getting a manual focus Nikon of the same focal length and speed and – I'm going to go out on a limb here – a more interesting subjective "look," not as perfect as the L lens, but with more uncorrected spherical aberration, more flare, just an older, more vintage look in general. You buy distressed jeans in this same vein, why not lenses? This goes on for all sorts of focal lengths, as you'll soon discover as I purchase them. In the end, I've got faster lenses than an f/2.8 pro zoom, more variety focal lengths, and I've spent much, much less, even splurging for a decent F-to-EOS mount adaptor for each lens ($50 at Adorama.)

Anyways, back to the man of the hour, the 5D. Once I made the switch from Nikon to the Canon controls, and conquered the byzantine menu system with a 5D manual in hand (and photo.net not far away for some questions), using the 5D became a very fluid experience, probably just as time-efficient as the Nikon, though I'll still always prefer a Nikon interface.



The 5D sensor is the real story here... it's incredible, better than film. Better high ISO performance, certainly. ISO 1600 is very clean, especially relative to other cameras (the D300 is likely similar, from what I've heard, though it can hit ISO 6400... but we're not talking about crop-bodies here), and ISO 3200 is usable, though I wouldn't suggest it unless the situation requires it. 12.8 megapixels? Well it certainly chews up my CF cards. It's a large enough file for huge prints, 3 feet on a side, and probably larger without much of a quality drop. As soon as you're talking 6 MP, you're good to go for publishing in any magazine or newspaper and even for most fine-art photo prints, unless you're Andreas Gurky.



When the time comes, I'll sell the 5D, call the adaptors a loss, and end the exile of my brave little Nikkors from their rightful homeland, the D700. The 5D is simply the my first full-frame stepping-stone.



The 5D creates a beautiful image, especially when paired with a wonderful old lens. Ironically I've had two pieces of crap on it so far, a Lensbaby 2.0 (which is a really fun piece of crap that I highly suggest, but a terrible optic of which there can be no doubts) and a Canon EF 35-80 f/4-5.6 (barely sharp enough to use by f/11... oi vey.) Keep watching the blog as I receive every magical lens and put it through its paces. I hope it will be at least slightly exciting to some of you.

Waiting

5D incoming... ETA: one day.

Ironically, the only Canon lens I have is a lensbaby, so I'm going to have some interesting shots on the Fourth for photospectra. Maybe a little TOO interesting...

Working at Voyager

Patrick, the badass photographer who sits behind me.

José, an artist trained at Art Institute by my mom!

Clint, coder who sits next to me.

Some of the first shots I've taken in a while... I feel like I'm saving up, keeping my powder dry. That's silly, of course, but the 5D will arrive soon, and then it will be an unbelievable, unholy shitstorm of shooting constantly. I swear, I'll sleep with the thing.

Soon, soon...

One of the first images I made with my Nikon D50...

Soon I'll finally be able to replace the semi-busted workhorse with a Canon 5D and a bevy of beautiful old Nikkors (I'm holding out for the affordable Nikon full-frame to drop), and I'll start creating once again... there's something about a broken camera and a 9-5 cubicle job that saps the will to live out of you, but I've been going to school on some great images every day from the nytimes.com, boston.com's Big Picture blog, and of course, the greats. Soon, soon, soon...

Hungry

This is what we should all aspire towards. Be advised, this story tore me apart.

Hungry.

Boston Globe's "Big Picture" blog

Time to share a wonderful photography link I've come across...

Prepare to lose your shit. The Boston Globe has begun posting wire photos on a theme in a blog format... even better, there's no slideshows to click through, no ads for the military or computer companies or insurance companies, and no 320x240 bullshit. These pictures are big and beautiful, and really show off how talented these photographers are. Go to school on this blog.

The Ballpark in Arlington

Website!

Well, I finally got my act together and made a portfolio website! Take a look, let me know what you think. I'm not completely final on the portfolios I'm showing there, nor the categories... should I do a sports category? Art? I have no idea.

Buffering...

I have a bunch of work to post here, and so much verve for photography right now.

So, consider this the calm before the storm. To start things off, an image I made weeks ago and forgot about.

Summer

It's hot. I'm broke. Looking for a job. Maybe Voyager, maybe Southwest Airlines. If you need a photographer in Dallas, shoot me an e-mail.

JMW Turner Exhibit at the Dallas Museum of Art

Mouse-over for titles, xkcd style.

Back in Dallas

I've been back for a few days, and I already got to catch up with Chris.

This is going to be a good summer.

Castillian, I'm out

Moved out day before yesterday in a whirlwind of activity... I hate moving, but I'm looking forward to having an actual apartment to call home. I'll be at 43rd and Duval, anyone else looking to live in the Hyde Park area? We'll hang out and be yupsters together (yuppie + hipster = ?)

Tattoo

Well, I can FINALLY make this post. I was holding off until I'd told and shown both of my parents in person.

Yup, I got a tattoo for my 20th birthday. Yes, it hurt like hell. Yes, I started giggling uncontrollably halfway through. Yes, I love it. Yes, my mom hates it.

Andrea came to take pictures, and David came for emotional support (he was visiting for my birthday anyways, and I managed to keep this a surprise, even for him!)

I don't have a superb photo of it yet, but I'll post one when I do. In the meantime, here's an iSight snap from this morning.

For those curious: it's an aperture at f/8 within an eye. Seven aperture blades (also, f/8? Fate? I just realized that one the other day) for luck, the eye to represent my newly empowered vision (and to ward off the evil eye, of course.)

Here's to year one of a lifetime of photography. I never want to forget how I feel right now, because I've never been more satisfied with what I'm doing.

Au Revoir

DOM photo from the last paper I worked on...

The end of the semester has been really bittersweet. Sweet, because I met a bunch of hip cats and got several chances to really enjoy their company. Hilarity ensued, of course. One of them I like quite a bit, but we're approaching bitter territory at this point.

I'm mostly kidding. In truth, I have no reason to be even slightly bitter about the end of the school year. A bunch of great things happened, I met really neat people, the only downside is that I have to leave it all and pick things up in the fall. I don't even really feel that bad about it, either, since I'm going to spend the summer back in Dallas hanging out with everyone I've missed so intensely for the past two years. But I definitely hold regrets about not making these discoveries earlier. Ah well, such is life.

DRUM JAM LADIES AND GENTLEMAN.

I'll miss you, Austin friends. Especially you.

What a semester...

Yet another insane Daily Texan fueled weekend... it began with the NPPA Spring Show, where UT's best photographers displayed large prints of their work and hobnobbed at the best photographic social gathering of the year. Did I mention there was a keg? We're classy at our photo galleries.

I got to see all of photographer friends and the people who gave me the chance to succeed. I owe everything to Courtney Dudley, left, who gave me the staff photographer position at the Texan in the first place. There were four slots for new photographers, and she entrusted me with one, and for that, I am eternally grateful. It didn't end there, however, because Courtney always took the time to go over my work with me and dispense suggestions and very thoughtful edits. There's probably no one who has had greater direct influence over my style and habits than Duds. And hopefully she's returning next semester to wrap up her UT career!

After the gallery show, the night took me all over Austin, and somehow I managed to either see or bump into every ex-girlfriend I've had in recent memory. Then, as if things weren't strange enough, I finally settled into a party at the very house where I lived this summer, where the Daily Texan webmaster now dwells.

I'll say one thing... journalists work hard, and journalists play hard.

Two and Four Zeroes

Thank you.

Eeyore's Birthday Pt. 2

This weekend also gave me the opportunity to learn a little about Adobe Premiere and Soundbooth... I didn't think anything could be more difficult than Final Cut Pro, but I guess I was wrong! They're quirky... my next task is to learn the Ken Burns Effect in After Effects.